Today, some 2 million American Indians inhabit the United States, less than 1 percent of the nation's population. Their origins have always been viewed from a 500-year-old perspective -- from the point of view of the Europeans who "discovered" the New World. Yet the true story of the American Indians begins some seventeen thousand years ago -- and it is past due for a telling that shows Indians as they are, rather than as westerners wish them to be.
Recent archaeological findings, newly discovered written accounts, and never-before-published records have contributed to a whole new understanding of our country's oldest ancestors. Drawing upon the latest research, as well as his own personal experience living among the Hopi tribes, acclaimed author and former "Natural History" magazine editor Jake Page covers all aspects of Indian life throughout the ages. From the Pleistocene era to Custer's Last Stand, the Trail of Tears to the Indian Civil Rights Act, the establishment of reservations to the negotiation of casino property, "In the Hands of the Great Spirit" reveals the astonishing endurance of a group of people whose experience is as varied as the world is old.

Shaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths while timid women hover fearfully behind a boulder. Recent archaeological research has shown that this vision bears little relation to reality. J. M. Adovasio and Olga Soffer, two of the world's leading experts on perishable artifacts such as basketry, cordage, and weaving, present an exciting new look at prehistory. With science writer Jake Page, they argue that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

Shaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths while timid women hover fearfully behind a boulder. Recent archaeological research has shown that this vision bears little relation to reality. J. M. Adovasio and Olga Soffer, two of the world's leading experts on perishable artifacts such as basketry, cordage, and weaving, present an exciting new look at prehistory. With science writer Jake Page, they argue that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life--in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

Headline: A peak behind the Hollywood mask by one of its foremost makeup artists In Hollywood's heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren't shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood's golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore's talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary's Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise. Replete with anecdotes about Hollywood and its stars, from Bette Davis's preference for being made-up in the nude to Shelley Winters's habit of nipping from a "little bottle" while on the set, Makeup Man will satisfy any Hollywood's fan's appetite for gossip or a behind-the-scenes look at how tinsel town's most iconic film characters were created. Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.

The Pueblo Revolt of 1680 changed the course of history. It was the only war that American Indians ever won against the Europeans. In this new nonfiction account, Jake Page delves into the events leading up to the revolt, its aftermath, and the less well-known second revolt. In this new nonfiction account, Jake Page delves into the event leading up to the revolt, its aftermath, and the less well-known second revolt. Includes insights from Hopi oral history, and more fully explores the role of the Hopis in the revolt.

Most North Americans experience mythology by way of translations of classical texts, and surprisingly few of us are familiar with Coyote, Spider Woman, Water Jar boy, Falling Sky Woman, or the epic of the Blessingway - to name just a few of the stories retold in this collection of significant myths of Native North America. David Leeming and Jake Page, building on the success of their Goddess: Myths of the Female Divine and God: Myths of the Male Divine, have provided an introduction and commentary on seventy-two myths drawn from a variety of cultures and language groups. They honor the Native pantheons, cosmologies, heroes, and heroines first as cultural expressions, then as variations on other mythic narratives to which they may be related, and ultimately as expressions of the larger human experience of mythmaking. David Leeming is Professor Emeritus of English and Comparative Literature at the University of Connecticut, Storrs. Jake Page is the coauthor of Wild Justice: The People of Geronimo V. the United States, also published by University of Oklahoma Press.

A bizarre murder leaves two teenagers dead in a desert arroyo, their naked bodies side by side, face up under the New Mexican sun. Near them, etched in stone, is a symbol unlike any Native American marking. What does it signify? The puzzle is made to order for Mo Bowdre's quirky and capacious intelligence. But Bowdre, a wildlife sculptor and occasional sleuth, may be in over his head, as he becomes embroiled in a possible case of ritual killing--and a certain malice. . . .

"From the Paperback edition."

Headline: A peak behind the Hollywood mask by one of its foremost makeup artists In Hollywood's heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren't shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood's golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore's talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary's Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise. Replete with anecdotes about Hollywood and its stars, from Bette Davis's preference for being made-up in the nude to Shelley Winters's habit of nipping from a "little bottle" while on the set, Makeup Man will satisfy any Hollywood's fan's appetite for gossip or a behind-the-scenes look at how tinsel town's most iconic film characters were created. Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.

In New England, 1816 was called the Year Without a Summer. Crops failed throughout America and, in Western Europe, it was even worse, with food riots and armed groups raiding bakeries and grain markets. All this turmoil followed a catastrophic volcanic eruption--a year earlier on the other side of the world--the eruption of Tambora, a blast heard almost a thousand miles away.
In When the Planet Rages, Charles Officer and Jake Page describe some of the great events of environmental history, from calamities such as the Lisbon earthquake of 1755 (the greatest in recorded history) and the ice ages, to recent man-made disasters such as Chernobyl, acid rain, and the depletion of the ozone layer. Officer and Page provide fascinating discussions of meteorites and comets; of the demise of mammoths, mastodons, and dinosaurs; and of great floods that have swept the earth. But they also show that human activity can make trouble for nature, discussing the depletion of natural resources (we burn coal and oil at millions of times their natural rate of production), air pollution in Los Angeles and London (where the Killer Smog of 1952 caused the death of some four thousand people), and the pollution of major waterways, like the Chesapeake Bay and Lake Erie. For the paperback edition, the authors have included a new preface, have added material on the recent Sichuan, China earthquake, the Indian Ocean Tsunami, and Hurricane Katrina, and discuss such topics as of the (un)predictability of symptoms of global warming.
Ranging from the monumental eruption at Krakatoa to industrial disasters such as the mercury poisoning in Japan's Minamata Bay, When the Planet Rages will engage anyone concerned with the environment and the natural world.

This marvellous collection brings together the great myths and legends of the United States--from the creation stories of the first inhabitants, to the tall tales of the Western frontier, to the legendary outlaws of the 1920s, and beyond. This thoroughly engaging anthology is sweeping in its scope, embracing Big Foot and Windigo, Hiawatha and Uncle Sam, Paul Revere and Billy the Kid, and even the Iroquois Flying Head and Elvis. In the book's section on dogmas and icons, for instance, Leeming and Page discuss the American melting pot, the notion of manifest destiny, and the imposing historical and literary figure of Henry Adams. And under Heroes and Heroines, they have assembled everyone from "Honest Abe" Lincoln and George "I Cannot Tell a Lie" Washington to Bessie Smith, Billie Holiday, and Martin Luther King, Jr. For every myth or hero rendered here, the editors include an informative yet readable excerpt, often the definitive account of the story in question. Taken as a whole, Myths, Legends, and Folktales of America reveals how waves of immigrants, encountering this strange land for the first time, adapted their religions, beliefs, and folklore to help make sense of a new and astounding place. Covering Johnny Appleseed and Stagolee as well as Paul Bunyan and Moby Dick, this wonderful anthology illuminates our nation's myth-making, enriching our idea of what it means to be American.

He has been a trickster, a shaman, a divine child; he has been a sacrificial victim, a consort of the earth goddess, a warrior, a sky king; and the creator, a distant and impersonal immensity. He is the male divine, seen in the many gods of myth, and his life story is told here in this graceful and illuminating account by David Leeming and Jake Page.
Illustrating their points with materials ranging from the prehistoric cave paintings to the mystic Jewish Kabbalah, from the ancient Indian Vedas to tales of the North American Indians and other myths from around the world, Leeming and Page reveal the changing mask of the male divine. We see how that divinity emerged in some areas from cults involving "animal masters" (as in the Bear Man of the Cherokee Indians), sorcerers, and shamans who embarked on spirit journeys. God sometimes appeared as the trickster--as Loki of the Norse people, Legba of Africa's Yoruba, Raven and Coyote of North America, and Krishna of India--both creative and bedeviling.
With the Neolithic age came the rise of agriculture and animal husbandry, of settlements and specialization in the roles of males and females--and a more sophisticated body of myths and rituals. Here the Mother Goddess was dominant, and the male God became her consort, ultimately dying in order that nature might be renewed. The authors illustrate this new stage in the male divine with tales of the Egyptian Osiris, the Caananite Baal, and Wiyot of California's Luiseno Indians, among others. They describe the rise of a male sky God as "the equal to, the true mate, of Goddess, who was still associated with Earth." In the Iron Age, the sky God became more aggressive, separating from the Goddess and taking his place as the King God, as Zeus, Odin, and Horus.
Ultimately he emerged as the creator, a more distant and impersonal force. Here Leeming and Page also illuminate an important trend--a sense that the divine is beyond gender, that it permeates all things (as seen in Chinese Tao, the Indian Brahmin, and En Sof of the Kabbalah). They see a movement in the biography of God toward a reunion with the Goddess. "As the Supreme Being becomes less Goddess and less God," they write, "it speaks more clearly to the essential human need for unity and understanding."
In their previous work together, Goddess, Leeming and Page provided a marvelous biography of the female divine--an account that won a wide and enduring audience. Now, in God, they provide the perfect companion volume--completing, as the authors write, "a record of what we humans believe ourselves at the deepest level to be."

Inconstant and forbidding, the arctic has lured misguided voyagers into the cold for centuries-pushing them beyond the limits of their knowledge, technology, and endurance. A Fabulous Kingdom charts these quests and the eventual race for the North Pole, chronicling the lives and adventures that would eventually throw light on this "magical realm" of sunless winters. They follow the explorers from the early journeys of Viking Ottar to the daring exploits of Martin Frobisher, Henry Hudson, Frederick Cook, Robert Peary, and Richard Bird. The second edition features a section entitled "The New Arctic" that illuminates current scientific and environmental issues that threaten the region. Officer and Page discuss such topics as the science behind the melting of the polar ice; the endangered species that now depend on the ice, including polar bears, narwhals, walruses, and ringed seals; commerce in mining and natural resources, especially petroleum and natural gas; and predictions for the economic and environmental future of the region. Library Journal called the first edition a "winning fusion of adventure, suspense, and history."

Gods is a "biography" of the god archetype from Palaeolithic times to the present. As a sequel to Goddess, this collection speaks to myth and gender issues in relation to the use of the male as a metaphor for the great mystery of existence. The authors retell myths from North and South America, Asia, the Middle East, Europe, and Africa, tracing evolution of the male god from servant of the goddess to seed-bearer, to war god, to the patriarchal god of Judaism, Christianity, and Islam.

J. M. Adovasio has spent the last thirty years at the center of one of our most fiery scientific debates: Who were the first humans in the Americas, and how and when did they get there?

At its heart, The First Americans is the story of the revolution in thinking that Adovasio and his fellow archaeologists have brought about, and the firestorm it has ignited. As he writes, “The work of lifetimes has been put at risk, reputations have been damaged, an astounding amount of silliness and even profound stupidity has been taken as serious thought, and always lurking in the background of all the argumentation and gnashing of tenets has been the question of whether the field of archaeology can ever be pursued as a science.”

Beautiful hypnotist Kendall Lea is brought in to improve the performance of the last-place basketball team, the Albuquerque Demons, and the entire team, and the assistant coach, find new motivation.